[Photo essay] Peace thrives in village once split up by 38th Parallel

Posted on : 2021-06-25 17:37 KST Modified on : 2021-06-25 17:37 KST
38 Peace Village suffered the scarring experience of being divided in two by the 38th Parallel in 1945
Children run in front of a mural in Kisamun Village next to Jangyo Village. (Baek So-ah/The Hankyoreh)
Children run in front of a mural in Kisamun Village next to Jangyo Village. (Baek So-ah/The Hankyoreh)

Heading north along National Highway 7 between Gangreung and Sokcho, travelers come across “38 Peace Village,” which still bears the scars of the Korean War.

As they arrive in the village across 38 Bridge in the Hyeonbuk township of Yangyang County, Gangwon Province, they are greeted by small stone sculptures shaped like artillery shells. Flowing across the village is Jangyo Stream (also known as “38th Parallel Stream,” where visitors can see “One Heart,” a sculpture of “fishing for peace,” and “Echoes of Survival, the Bell of Peace,” an artwork incorporating a metal bridge that was once suspended from a chestnut tree at the village hall’s entrance, where it served as a bell warning the village of dangers.

Stone sculptures in 38 Peace Village (Baek So-ah/The Hankyoreh)
Stone sculptures in 38 Peace Village (Baek So-ah/The Hankyoreh)

These artworks are part of the Jangyo Village Public Art Project, established in 2012 to raise awareness of the ravages of the Korean War and express a message for peace.

38 Peace Village was indeed a peaceful village once, with a ring of small mountain peaks surrounding it like a folding screen and keeping it safe from typhoons. But in 1945, it suffered the scarring experience of being divided in two by the 38th Parallel.

Hong Pil-nyeo, a 94-year-old who was born and grew up here, remembers it well.

“One day in 1945, the Russians [Soviet Army] and US soldiers came to Jangyo Village, put up a curtain on the 38th Parallel, and said, ‘This part is North Korea and this part is South Korea,’” she recalled.

“One Heart,” a sculpture of “fishing for peace,” by Choi Moon-su (Baek So-ah/The Hankyoreh)
“One Heart,” a sculpture of “fishing for peace,” by Choi Moon-su (Baek So-ah/The Hankyoreh)

“So Soon-hee’s room upstairs was part of the South, and the kitchen was part of the North. The neighborhood kids couldn’t even go to school because of that curtain.”

Hong’s home was split between South and North: the same exact land, but North Korea’s yesterday and South Korea’s today.

After the Korean War broke out, Hong and other villages fled and took refuge in the South.

“The day the war broke out, the sounds of shells rang out early in the morning, so I went up on the mountain and saw the [North Korean] People’s Army coming, waving their flags in the blackness of night,” she recalled in an oral history of Yangyang residents about their experiences during the war.

Hong Pil-nyeo, a 94-year-old native of 38 Peace Village, poses for a photo with her 92-year-old husband Lee Wan-san at their home in the village. (Baek So-ah/The Hankyoreh)
Hong Pil-nyeo, a 94-year-old native of 38 Peace Village, poses for a photo with her 92-year-old husband Lee Wan-san at their home in the village. (Baek So-ah/The Hankyoreh)

“My mother told us that my oldest sister was too frail to carry a baby on her back, so I should go take refuge with my sisters in Ingu. We followed the ROK Army to the 5th Company headquarters in Ingu, and the People’s Army followed behind us, firing their guns.”

When the war ended, she returned to find her home burnt to the ground.

“My father and husband rebuilt it. This house was where my parents both passed away and where I raised my three sons,” Hong said.

From Hong’s house, Jangyo Stream leads out to the sea, where surfers were enjoying the early summer waves on the jade-green East Sea. It felt like the scars of war had been borne along the stream’s waters to dissolve into the sea.

A mural in 38 Peace Village
A mural in 38 Peace Village

I looked back at the serenity of 38 Peace Village. On the corners leading back to the village, works of art stood quietly as though keeping the peace.

By Baek So-ah, staff photographer

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